THE SISTER ARCHIVE OF A BOOK ABOUT DEATH. EXHIBITIONS, PHOTOS, NEWS, INFORMATION & ALL CONTACTS CONCERNING ONGOING EXHIBITIONS.
Thursday, January 28, 2010
LACMA [65]
Thanks to artist Mara Thompson for getting the collection of the works of A Book About Death into the permanent collection of the Los Angeles County Museum of Art.
Monday, January 4, 2010
Rob White Poster For MUBE [64]
British artist Rob White designed this poster for the exhibition Um Livro Sobre A Morte at MUBE, opening February 3, 2010 in São Paulo, Brazil. For more details see: http://umlivrosobreamorte.blogspot.com/
Click to download a high-resolution, printable version of Rob White's poster.
Click to download a high-resolution, printable version of Rob White's poster.
Saturday, January 2, 2010
Viral Venture : Joseph Nechvatal Film To Be Screened At MUBE [63]
This digital video is an extract from Viral Venture - a digital art projection (and/or ongoing installation) by the artist Joseph Nechvatal with a musical score by the composer Rhys Chatham. The film will join several others in an evening of film for Um Livro Sobre A Morte at MUBE, São Paulo, Brazil.
The Viral Venture projection consists of Nechvatals most recent artificial-life computer virus attacking his digital images. It acts in real time as modeled on the biological viral mode as programmed by Stephane Sikora in C++.
Rhys Chathams score consists of his 2005 composition for 400 electric guitars entitled A Crimson Grail, commissioned by Nuit Blanche. It was performed and recorded at the Sacré-Coeur Basilica in Paris.
Dates for the film screening, and other films, are to be announced shortly.
Friday, January 1, 2010
LACMA Balch Library Gets The ABAD Archives, Bookstore Gets A Free Gift [62]
Artist Mara Thompson, who organized the Otis College of Art and Design exhibition of A Book About Death, brought an archive set of of the project to the LACMA Balch Research Library in Los Angeles, on December 28, 2009.
Mara writes: "After leaving the works with the curators, I viewed a number of publications about and by Ray Johnson. To view both, one need only call ahead of time to to make a reservation."
The archive set was delivered in a box and contained copies of the original The Emily Harvey Foundation program, the New York press release, a complete list of artists and the Otis press release.
During the visit Mara also installed a small sampling of the cards at the LACMA book store. In the spirit of the project, Mara stamped each "free" card with a text: Do Not Bend Free Art.
"My fervent wish is the exposure brings the artist an unexpected boon or the viewer an unexpected thrill. I grew up with LACMA in my backyard, and would often skip high school to take the bus and kick about the collections. The experience molded much of my future."
Mara writes: "After leaving the works with the curators, I viewed a number of publications about and by Ray Johnson. To view both, one need only call ahead of time to to make a reservation."
The archive set was delivered in a box and contained copies of the original The Emily Harvey Foundation program, the New York press release, a complete list of artists and the Otis press release.
During the visit Mara also installed a small sampling of the cards at the LACMA book store. In the spirit of the project, Mara stamped each "free" card with a text: Do Not Bend Free Art.
"My fervent wish is the exposure brings the artist an unexpected boon or the viewer an unexpected thrill. I grew up with LACMA in my backyard, and would often skip high school to take the bus and kick about the collections. The experience molded much of my future."
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